It is mainly because it's proprietary to Sony, IIRC they are the ONLY maker of that format's deck (remember the original consumer Betamax?) and tapes. The ONLY reason VHS beat Beta is because Mashusita was willing to license the manufacturing of the decks and tapes to other manufacturers. And Beta had superior picture and sound quality. Also, that $50k deck and format is a professional broadcast format so the market is admittedly smaller than a consumer format would be. You CAN rent one of those decks... for a mere $1,200 per DAY.Holy ****ing ****, what the **** do they build the inside of that with? Pure platinum?
Sony has been really hit and miss, some of their gear is really the best you can get, and other things are high-priced crap (certain broadcast cameras and most commonly know to the general public, their SDDS "Sony Dynamic Digital Sound" cinema sound.) Sony also frequently drops ALL support on a product without warning, and if you need it serviced after that happens, good luck.
How bad was the cinema gear? Let's put it this way...industry techs and cinema owners referred to it as "System Dumps During Show" which it frequently did. The later 3000 series gear actually worked well, but was still way overpriced compared to Dolby Digital and DTS. Oh, and Sony dropped ALL support on SDDS some years back.
And the new digital cinema projectors from Sony, while having great image quality, are more expensive than Christie, NEC or Barco, break down more frequently, have the highest re-lamping cost, and ONLY Sony techs can service them. (Sony will not release any service info or passwords, you HAVE to have their techs and ONLY their techs do ANY service.) The other three are all tech-friendly enough that any competent tech can fix them, and they also offer full classes on setup and servicing.
Yep, they have active amplification and phase/timing correction so they work well for long distances.there are self powered hdmi cables out to 100'.
i've used them 4 times so far, and they work.
See above Bob, that deck is for professional broadcast use..but I have no doubt that there are a lot of broadcast products that fall into the $175 audio grade recept. category. :thumbup:They sell to the same type people who pay $175 for 'audio grade receptacles'
Yeah so don't f**k with us either. :laughing::laughing:A/V installers are so defensive. :laughing:
It does make a huge difference. Most people (me included) tend to have their tv's set with too much brightness, washed-out contrast and oversaturated color.http://www.imagingscience.com/upload/tomsguide.pdf
I am no expert on this but I have seen at least 50 calibrated TV's before and after and the difference is noticeable 90% of the time.
The digital cinema projector I installed for UC Irvine looked loads better after color calibration than it did before. I watched "TRON:Legacy" on blu ray for both tests and the difference was staggering.
Blu-ray will be around for a long time, I predict that standard DVD will go away soon, but there will always be physical media for consumer video use (the studios with their rampant paranoia about piracy will NEVER get away from physical media as they try to maintain the illusion of control over who sees/buys thier product.)There really is a big difference in picture quality. Sound too but not anything the average person is going to notice.
Blu ray is almost obsolete. Physical media in general is heading the way of the pager. :laughing:
Hell, 35mm film has been around for over 100 years and is only going away because the studios want to save some bucks on the distribution end. So far, over 99% of Digital Cinema DCP files are sent to the theatres on physical hard drives for loading into the servers which store it in a 3 or 4 drive RAID array for playback.
As for archival issues, the studios have discovered that digital is NOT a good idea, a lot of material has already been lost/degraded so severely that they are having issues. So now they are looking at making archival copies.......on 35mm film. :whistling2: